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Byzantium: Faith and Power (1261–1557)
[T.E.L.] - [Exhibition] - [Tuesday 23rd, March 2004]

 

Byzantium: Faith and Power (1261–1557)
March 23, 2004–July 4, 2004
Special Exhibition Galleries, The Tisch Galleries, 2nd floor

 View more than sixty highlights from this exhibition, presented in a special online gallery tour.
 
 Read an overview of the exhibition.
 
 See Explore & Learn for illustrated essays in a related feature on Byzantine art, including a visual essay on the Holy Monastery of Saint Catherine, Sinai, Egypt.
 
 Visit the online Met Store for related publications, reproductions, and other products.
 
 

The third exhibition in a chronological series devoted to the art and influence of Byzantine civilization, this major international loan exhibition demonstrates the artistic and cultural significance of the last centuries of the state that called itself “the Empire of the Romans.” The exhibition begins in 1261, when the capital Constantinople was restored to imperial rule, and concludes in 1557, when the empire that had fallen to the Ottoman Turks in 1453 was renamed Byzantium—the name by which it is still known today. The importance of the era is primarily demonstrated through the arts created for the Orthodox church and for the churches of other East Christian states that aspired to be the heirs to the empire’s power. The impact of its culture on the Islamic world and the Latin-speaking West is also explored—especially the influence of the Christian East on the development of the Renaissance.
Accompanied by a catalogue.
In connection with the exhibition, a major symposium on "Byzantium: Faith and Power" will be held at the Metropolitan Museum from Friday, April 16, to Sunday, April 18. The event will include scholarly presentations and a concluding performance. For more information, call 212-570-3710 or email lectures@metmuseum.org.

The exhibition is made possible by Alpha Bank.
Sponsorship is also provided by the J. F. Costopoulos Foundation, the A. G. Leventis Foundation and the Stavros S. Niarchos Foundation.
Additional support has been provided by the National Endowment for the Arts.
An indemnity has been granted by the Federal Council on the Arts and the Humanities.




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